It Takes a Village(r): How a Group of Artists is Overcoming COVID in the 2020 Fringe Festival
Racism: It’s Not Just Hate Crimes and Slurs
Graduating in the Mess That is 2020
Hollywood: my introduction to revisionist history
“I Don’t Feel Sad. I Feel Angry”
Representation: As Long as They’re Pretty, Why Should it Matter?
How The Band’s Visit Made Me Remember That I Don’t Know Everything
It’s NOT For You, White Man (An Analysis of the 2020 Broadway Revival of West Side Story)
Life After UArts: a Profile of Terran Scott
“Am I Allowed to Not Like Somebody Black in Theatre?” – a Black Person (asking for
“Ragtime” at the Arden: the Double Consciousness of an Audience Member
Women Are Objects…Apparently? A Look Into the Purpose of Female Character
Life After UArts: a Profile of Elias Rivera
Life After UArts: A Profile of Adam Howard
“Contemporary” Musical Theatre? feat. Max Vernon
A Reason for Revival: the lead of Marianne Elliott’s Company is…A WOMAN????
A Reason for Revival: a look at Marianne Elliott’s revival of Company
A Requiem for Once on This Island
Art as Activism: a conversation with Kill Move Paradise actor Anthony Martinez Briggs
How Do We Make Our Performances Matter: An Interview with a Deaf Superstar